International Abstracts

Typography based on identity by Rafael Vivanco, Peru

Drawing across boundaries by Erin McLaughlin, USA

Experimental Organic Typography by Tevfik Fikret Uçar, Turkey

Perspectival Type: Typographic exploration in a three dimensional environment by Felix Ackermann, England

Can typographic design integration be good for elementary students? by Carole Charette, Canada

Optical Spacing in selected Sinhala newspaper titles by S.S.M.R.Samarawickrama, Sri Lanka

Storytelling through Expressive Typography by Kok Cheow Yeoh, Singapore

Fjalor fluturuar, flying word by Cinzia Ferrara, Italy

Stereo Typography Type expression in virtual media by Mohammadreza Abdolali, Iran

Creative typography in design by Fang Chen, USA

Multitypographic Expression in Hong Kong by Chan Chung Chung, Hong Kong

The Why, How & What of teaching Typography in Pakistan by Sheeraz Wania, Pakistan

Kinesthetics of Typography by Laura Chessin, USA

Nakka Mukka: Expressive forms in Tamil typographic history by Rathna Ramanathan, England

A Comparative Study of Two Nasta’liq Masterpieces by Farzan Kermaninejad, Iran

Calligraphic Expressions in Graphic Design Implementations by Özden Pektaş Turgut, Turkey

National Abstracts

A comparative study of Meetei Mayek by Neelakash Kshetrimayum, Delhi

‘Indian Letterforms in 3D’ Workshop & Camp 2010 by Noopur Datye, Mumbai

The birth of a typeface by Hashim P M, Cochin

Expressions of Urdu typeface design by Pradnya Naik, Mumbai

Exploring similarities in Indian scripts and Bharat Natyam by Harshad & Yogita Kulkarni, Bangalore

Painter Kureshi by Hanif Kureshi, Delhi

Student Abstracts

Rear Letters by Anand Kamdar, Mumbai

Typographic diversity in products with equal monetary values by Neha Jain, Mumbai

One language many scripts by Harshita Pande, Mumbai

On-Screen Font in Telugu by Shashidhar Reddy, Hyderabad

Exploring the role of angular grid in font design by Prasad Bokil, Mumbai